Monday, October 12, 2015

IN THIS ISSUE:

Audition Tips | Kansas City Jazz Summit | Pics from the Classroom


Audition Tips by Charlie Bartrug

This is the time of year when All-Region and All-State auditions are looming. The following tips were taken from a number of clinics on the subject of audition preparation. For a printable version of this article that can be handed out to students, please click here.

Why Is Preparation So Important?

  • There is no substitute for being prepared on your music.
  • A lack of preparation leaves too much to chance.
  • Good preparation gives us better control over the situation and helps us control our nerves.
  • Begin preparing as early as possible.

Important Qualities of a Great Audition

  • Tone quality -- This is listed first for a reason. A person who plays great technique with a bad tone still sounds bad.
  • Basics -- Notes, rhythms, and articulations must be completely in place.
  • Pulse -- This is an often overlooked component, but you may be surprised how a bad sense of pulse can negatively affect the judge's opinion of the performance.
  • Style -- In the most basic sense, style is all about note length. Surprisingly, many performers are not aware of style inconsistencies. Be sure you think through all the passages with regard to note length.
  • Musicianship -- The best performances show obvious attention to the details of dynamics, accents and phrasing. Even if the music has no expression markings, great musicians will create their own interpretation.

Tools

  • Metronome -- This is my favorite practice tool. Using a metronome helps you keep a steady pulse (see above), and is a great practice aid. Technical passages can be practiced slowly, then sped up to reach the desired tempo. When practicing with a metronome, be sure you are "tuned in" to the clicks. I have witnessed many students practicing with a metronome who just ignored the pulse. This is counter-productive. MAKE yourself stay with the beat. If you can't - slow down.
  • Tuner -- Someone once said the most important person to play in tune with is you! Use a tuner to help center your pitches in extreme upper and lower ranges, and to help with large interval leaps.
  • Recording Device -- This could be your phone, iPad, or a purchased recorder. Be aware - inexpensive recorders (like a phone) don't have a very wide frequency range and won't help you judge your tone. Also, many have built-in volume leveling compressors, so all your dynamics will be leveled to the same volume. Recordings can give you a very accurate representation of steady sound, articulation, rhythm, tempo, missed notes, places to breathe, style and interpretation. Recording yourself is great because you not only hear all of the things you are doing incorrectly, but just as importantly, you hear all of the things you are doing correctly!

Sight Reading

  • When it comes to separating the top players in an audition, sight reading is usually the key factor!
    Many students practice hard on the prepared etudes, but totally neglect sight reading. This is certainly to your disadvantage.
  • Buy a second (or third) method book. Read a page every day. Don't go back to fix things. Try to create a performance on the first reading.
  • Smartmusic is a fantastic tool for sight reading. Many sight reading exercises of every conceivable level are included in the files, and the Smartmusic program will even assess your performance for you. This is well worth the money!

Audition Day Tips

  • Don't over-practice on the day of the audition. If you don't know it by now, cramming won't help (see the section on preparation).
  • Focus on your performance, not on anyone else. Many students create their own mental problems by worrying about beating someone else. You can only control your part of the audition, so focus on that.
  • Concentrate. This may seem obvious, but many students let simple distractions wreck their audition. Stay focused on playing the piece of music in front of you and don't think about anything else. You must get yourself wrapped up in the music you are performing. Get lost in the moment and forget about everything else that's going on your life during the actual audition.
  • When performing, remember your air is your friend. If you practice breathing correctly and apply it to your performance, you will be surprised at how you will be calmer, and your playing will be made easier.
  • If your mouth gets dry when you get nervous, bring a cup of water in the room with you and take a sip before you play. NO ICE! Ice makes your tongue swell, and will hinder articulation.
  • At the conclusion of your audition, leave quietly. Don't give the judge any reaction to your performance, good or bad.

Use these tips to give yourself the best possible chance of success at your upcoming audition. For a printable version of this article that can be handed out to students, please click here. Good luck!

Charlie Bartrug
Manager and Educational Consultant
Palen Music Center -- Oklahoma City

Charles Bartrug retired in 2014 after 33 years as a public school band director. The last thirteen years were spent as High School Band Director and Coordinator of Instrumental Music in Yukon, OK. Before coming to Yukon, Mr. Bartrug was band director at Midwest City HS, Guthrie High School, Owasso Junior High, and Collinsville Junior High. Bands under Charlie's direction have earned twenty one O.S.S.A.A. Sweepstakes Awards and three Double Sweepstakes Awards. The Guthrie High School Concert Band performed as an honor group for the OMEA Convention in 1999, and the Yukon High School Wind Ensemble performed in 2014. Mr. Bartrug is a recent inductee into the Oklahoma Bandmaster's Hall of Fame. He earned National Board Certification in 2004, was the 2005 Oklahoma Bandmasters Association Band Director of the Year, the 2005 Yukon High School Teacher of the Year, and a 2009 OMEA Exemplary Teacher.


Kansas City Jazz Summit

We would like to invite you to check out the Kansas City Jazz Summit, which will be held on April 26-29, 2016. For more information, please visit www.kansascityjazz.org. Here are some things that directors are saying about the event:

Thank you for a great experience! My students and I had a great time at the festival. I really appreciate the adjudicators approach to working with the kids. Many times I've been to festivals where they clinicians are great players and not educators. These guys were great. Even when talking to the college ensembles they explained things at a level my 7th and 8th grade students could understand. Bravo! Please pass on my thanks to them. We will definitely be back!

That is by far the most educational jazz festival that I have ever attended! Every aspect of the day was so smoothly run, so very professional, and completely all about music and jazz education. I would love to come again next year! What great clinicians you had and LOVE the headset microphones.

We had a FANTASTIC EXPERIENCE at your festival today! It was EXACTLY what I had hoped for. The facilities were great. The logistics of the case room to the warm up room to the stage flowed very nicely. I cannot say enough about how great the clinician experience was! They spoke in terms the kids could easily understand. They were energetic..and they were AWESOME musicians! The kids really enjoyed their comments and learned a lot in the short time we had with them....thanks again...see you next year!

WOW! Awesome Festival Jim! Smooth as silk! Best Adjudicators we've had by a long shot!! My students and I learned as much and more listening to the judges all day with their headsets during the on stage clinic. Great sound, great back line and the 9 foot Steinway was sweet! Beautiful stage. Even the certificates and plaques were gorgeous! Loved the catered lunch for students. That made it very easy.

 


Pics from the Classroom - Central HS, Springfield, MO


Contact Your Local Palen Music Center Representative

Can we assist you with anything? Please contact your local Palen Music Center school road representative for all of your music education needs.

 

Springfield Mike Steffen, Amanda Meyer, Melissia Goff, Josh Garoutte (417) 882-7000
Columbia Bridgett Randolph and Dylan Gililland (573) 256-5555
Liberty John Bell, Rob Goade, and Chuck Appleton (816) 792-8301
Joplin Jennifer Wassenaar and Amanda Meyer (417) 781-3100
Broken Arrow Jeff Lawless, Mary Ann French and David Gorham (918) 286-1555
OKC Charlie Bartrug and Kirby Swinney (405) 896-8111
PMC Admin Eric Matzat, AAron Bryan and Zach Houser (417) 882-7000

 


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